Research Article
The Conceptual Framework of Islamic Art in the Establishing Style of Art Illumination in Malay Manuscripts
@INPROCEEDINGS{10.4108/eai.24-8-2021.2315170, author={Nurul Huda Mohd Din and Mumtaz Mokhtar and Wan Samiati Andriana Wan Muhammad Daud and Syafril Amir Muhammad and Nabilah Mudzafar}, title={The Conceptual Framework of Islamic Art in the Establishing Style of Art Illumination in Malay Manuscripts}, proceedings={Proceedings of the 2nd International Conference on Design Industries \& Creative Culture, DESIGN DECODED 2021, 24-25 August 2021, Kedah, Malaysia}, publisher={EAI}, proceedings_a={DESIGN-DECODED}, year={2022}, month={3}, keywords={style islamic art illumination malay manuscript al-qur’an}, doi={10.4108/eai.24-8-2021.2315170} }- Nurul Huda Mohd Din
Mumtaz Mokhtar
Wan Samiati Andriana Wan Muhammad Daud
Syafril Amir Muhammad
Nabilah Mudzafar
Year: 2022
The Conceptual Framework of Islamic Art in the Establishing Style of Art Illumination in Malay Manuscripts
DESIGN-DECODED
EAI
DOI: 10.4108/eai.24-8-2021.2315170
Abstract
Style is used to identify and understand concept such as in communication, values of life, religion and society, and forms existed based on a certain recommendation. This paper is focusing on the style of the Malay manuscript (al-Qur’an) which stands as a symbol of knowledge for the Malay scholars as well as an important source of understanding the intellectual and literary heritage of Malaysia. For developing the Islamic concept on the interpretation of the artwork, three appropriate and relevant theories have been selected. The four methods chosen are based on the aesthetic concept by Zakaria Ali and the theory of art appreciation in Islamic art by D’zul Haimi Md Zain, Nor Azlin Hamidon and Wan Samiati Andriana. The significances of the paper is to enhance the system and structure of vocabularies for Islamic art and Malay traditional art, aligns with the United Nation's Sustainable Development Goal.