Ideology of Bedhayan Dance in Surakarta in Globalization Era

Sawitri, Sawitri and Sudardi, Bani and Abdullah, Wakit and Chaya, I Nyoman (2020) Ideology of Bedhayan Dance in Surakarta in Globalization Era. In: BASA 2019, 20-21 September 2019, Surakarta, Central Java, Indonesia.

[img]
Preview
Text (PDF)
eai.20-9-2019.2296835.pdf - Published Version

Download (142kB) | Preview

Abstract

Culture is born from an artist/a choreographer’s idea and thought. Bedhayan is a dance performed in group by minimally five dancers and maximally unlimited number of dancers corresponding to the theme and message to be delivered by artist/choreographer, while its makeup and fashion are varying corresponding to the character performed. Data was collected using descriptive qualitative method with interview, book, journal, document, photograph, video, magazine, and etc. Choreographers have ideology in creating their work as the artists’ self actualization, existence, economic welfare, innovation and art creativity. Ideology contained in bedhayan is also an answer to art and work that will keep evolving along with the time development. Globalization affects human’s mindset. Globalization current cannot be warded off as the development is a flowing process. The change of mindset affects human’s work.

Item Type: Conference or Workshop Item (Paper)
Uncontrolled Keywords: ideology bedhayan globalization
Subjects: H Social Sciences > H Social Sciences (General)
Depositing User: EAI Editor IV
Date Deposited: 23 Mar 2021 15:50
Last Modified: 23 Mar 2021 15:50
URI: https://eprints.eudl.eu/id/eprint/1822

Actions (login required)

View Item View Item