Proceedings of the First International Seminar Social Science, Humanities and Education, ISSHE 2020, 25 November 2020, Kendari, Southeast Sulawesi, Indonesia

Research Article

Structure and Function Of The Beluk Oral Tradition

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  • @INPROCEEDINGS{10.4108/eai.25-11-2020.2306724,
        author={D. Nurfajrin Ningsih and Aceng  Rahmat and Siti Gomo Attas},
        title={Structure and Function Of The Beluk Oral Tradition },
        proceedings={Proceedings of the First International Seminar Social Science, Humanities and Education, ISSHE 2020, 25 November 2020, Kendari, Southeast Sulawesi, Indonesia},
        publisher={EAI},
        proceedings_a={ISSHE},
        year={2021},
        month={4},
        keywords={structure; function; oral tradition of beluk},
        doi={10.4108/eai.25-11-2020.2306724}
    }
    
  • D. Nurfajrin Ningsih
    Aceng Rahmat
    Siti Gomo Attas
    Year: 2021
    Structure and Function Of The Beluk Oral Tradition
    ISSHE
    EAI
    DOI: 10.4108/eai.25-11-2020.2306724
D. Nurfajrin Ningsih1,*, Aceng Rahmat1, Siti Gomo Attas1
  • 1: Jakarta State University
*Contact email: d.nurfajrinningsih@gmail.com

Abstract

This study aims to describe the structure and function of the Beluk oral tradition in the Rancakalong village community, Sumedang Regency. The method used in this research is qualitative method. The data source was obtained directly from the singers Beluk by documenting, observing and interviewing. The instrument used was the observation and interview guidelines. The data analysis technique in this study is divided into four stages, namely: (1) the data collection stage, (2) the reduction stage, (3) the interpretation stage, and (4) the data conclusion and verification stage. The results of this study, the stages of the Beluk performance begin with a prologue from the puppeteer, followed by prayer and burning incense to ask permission from the ancestors, and apologize if the offerings are not complete, Juru Ilo starts the show by reading Wawacan Ogin Amar Sakti as much as one or two padalisan, after That is what Juru Ilo reads, is sung by Tukang Ngajual, while Tukang Meuli is in charge of continuing the song in a high tone but the articulation is still clear, then Tukang Naekeun continues with a shrill, contorted, and unclear articulation voice. Beluk has a function as a social controller and educational facility, and a negation function that we can emulate. Hopefully, with this study the community and the younger generation will pay more attention to and continue this tradition.