Proceedings of the First International Conference on Christian and Inter Religious Studies, ICCIRS 2019, December 11-14 2019, Manado, Indonesia

Research Article

Maraila: Exploring the Meaning of Kapata in a CustomaryPatita Banquet of Tuni Clan in Oma

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  • @INPROCEEDINGS{10.4108/eai.11-12-2019.2302113,
        author={Febby Nancy Patty and Weldemina Yudit Tiwery and Agusthina Ch. Kakiay and Selvone  Pattiserlihun},
        title={Maraila: Exploring the Meaning of Kapata in a CustomaryPatita Banquet of Tuni Clan in Oma},
        proceedings={Proceedings of the First International Conference on Christian and Inter Religious Studies, ICCIRS 2019, December 11-14 2019, Manado, Indonesia},
        publisher={EAI},
        proceedings_a={ICCIRS},
        year={2020},
        month={11},
        keywords={maraila kapata custom symbols contextual theology},
        doi={10.4108/eai.11-12-2019.2302113}
    }
    
  • Febby Nancy Patty
    Weldemina Yudit Tiwery
    Agusthina Ch. Kakiay
    Selvone Pattiserlihun
    Year: 2020
    Maraila: Exploring the Meaning of Kapata in a CustomaryPatita Banquet of Tuni Clan in Oma
    ICCIRS
    EAI
    DOI: 10.4108/eai.11-12-2019.2302113
Febby Nancy Patty1,*, Weldemina Yudit Tiwery1, Agusthina Ch. Kakiay1, Selvone Pattiserlihun1
  • 1: Ambon State Institute for Christian Studies, Jl. DologHalong Atas, Indonesian-Mollucas
*Contact email: fenansia@gmail.com

Abstract

Maraila is a traditional song which in Maluku local term is called kapata. This song is usually used to accompany the dance in the traditional patita banquets by Soa (Clan) Tuni in Oma Island, Haruku Island. As a traditional song, Maraila has many symbols and meanings that need to be studied to contribute to theological values in the context of Maluku society. This study aims to explore the wealth of meaning contained in the tradition of Maraila by using a cultural interpretation approach. Interpretation of symbols and meanings in the tradition is important because; (1) songs in the traditions of Christian indigenous peoples are more dominated by European songs (centered on Europe), thus the space for traditional songs that are rich in moral ethical values tends to be closed. (2) Customary songs are considered lack of theological values than the songs of European heritage. By using a cultural interpretation approach to the tradition of the traditional Maraila song, there is a room to hear other voices from the experiences of the people in Maluku, especially the Oma village which has been marginalized (periphery). Maraila is a way for people to build, devote and pass on the quality of life values to each generation. The results of this study indicate that Marailahas moral ethical values as well as being a theological model in contextual relations with God, community and the nature.