Research Article
Representation Of Modern Tarling Music Amidst Cultural Relation and New Media Era
@INPROCEEDINGS{10.4108/eai.7-12-2018.2281779, author={Khaerudin Imawan and Nurul Chamidah}, title={Representation Of Modern Tarling Music Amidst Cultural Relation and New Media Era}, proceedings={Proceedings of the 1st International Conference on Emerging Media, and Social Science, ICEMSS 2018, 7-8 December 2018, Banyuwangi, Indonesia}, publisher={EAI}, proceedings_a={ICEMSS}, year={2019}, month={3}, keywords={new media tarling music representation cultural relation}, doi={10.4108/eai.7-12-2018.2281779} }- Khaerudin Imawan
Nurul Chamidah
Year: 2019
Representation Of Modern Tarling Music Amidst Cultural Relation and New Media Era
ICEMSS
EAI
DOI: 10.4108/eai.7-12-2018.2281779
Abstract
Modern tarling has become a contestation of the present music artists to explore arts amidst the development of technology and the flow of modernization. Modern tarling is preferring the establishments of political-economy relation, identity of youngsters as sub-culture, emotional and psychological reactions, relation between art and family as well as perceiving tarling as commercial entertainment industry in which those establishments have constructed modern tarling music art as the representation of popular culture of Pantura community.The modification of music instruments, performance innovation and collaboration of tarling singer with the other music genres on stage with a complete multimedia background and choreographer contribution/role. Converting the album into file and immense reproduction effort conducted by fans for tarling has emerged audio-visual product which distributed freely in cyberspace. This research uses qualitative methods with a critical paradigm, views of Stuart Hall and Paddy Whannel with their model of style music circuit has restricted this research to be capable of describing the relation between popular music with the other scopes which interrelated as the manifestation of modern culture representation.