2nd Workshop on Language, Literature and Society for Education, Wol2SED 2018, December 21-22 2018, Solo, Indonesia

Research Article

Multimodal Tundang Mayang Pusaka Malay Tradition West Kalimantan

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  • @INPROCEEDINGS{10.4108/eai.21-12-2018.2282575,
    author={Adisti Primi Wulan and Maryaeni Maryaeni and Djoko Saryono and Taufik Dermawan},
    title={Multimodal Tundang Mayang Pusaka Malay Tradition West Kalimantan},
    proceedings={2nd Workshop on Language, Literature and Society for Education, Wol2SED 2018, December 21-22 2018, Solo, Indonesia},
    publisher={EAI},
    proceedings_a={WOL2SED},
    year={2019},
    month={3},
    keywords={multimodal; ethmopuitika; tundang},
    doi={10.4108/eai.21-12-2018.2282575}
}
  • Adisti Primi Wulan
    Maryaeni Maryaeni
    Djoko Saryono
    Taufik Dermawan
    Year: 2019
    Multimodal Tundang Mayang Pusaka Malay Tradition West Kalimantan
    WOL2SED
    EAI
    DOI: 10.4108/eai.21-12-2018.2282575
Adisti Primi Wulan1,*, Maryaeni Maryaeni1, Djoko Saryono1, Taufik Dermawan1
  • 1: Universitas Malang
*Contact email: adistiprimiwulan@ikippgriptk.com

Abstract

This study describes the multimodal Tundang Mayang Pusaka Melayu as one of the cultural roots of West Kalimantan. The multimodal that observed in this study is the interaction of language and meaning for Tundang development. Using an ethnopuitic approach, Haymes and Tedlok (1983) Ethnopuitic studies contain two main elements, namely the language-literary element (universality of the line model Haymes or the universality of poetics features) and sound elements (the art or aesthetics of sounding the narratives texts Tedlock’s model) and the combination of the multimodal approach, Anstey and Bull (2010), the analysis was carried out to obtain linguistic, visual, audio, gestural and spatial elements from Tundang

Keywords
multimodal; ethmopuitika; tundang
Published
2019-03-27
Publisher
EAI
http://dx.doi.org/10.4108/eai.21-12-2018.2282575
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